Filtering by: documentary theater

Lowlands (Romania)
Jun
23
7:00 PM19:00

Lowlands (Romania)

WORKSHOP PRESENTATION, REHEARSAL FOR TRUTH THEATER FESTIVAL

Lowlands is a haunting depiction of the moral decomposition of the terminal years of communism seen through the eyes of a child from the German minority of Romania. It is based on a text by the Nobel Prize winning writer Herta Muller. 

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Here Moscow Calling (Romania)
Jun
23
4:00 PM16:00

Here Moscow Calling (Romania)

THEATER ON FILM, REHEARSAL FOR TRUTH THEATER FESTIVAL

A daughter’s relationship with her father is always special, but how does it change if the father is a famous dictator? How does it feel when Dad is a “monster”? Here Moscow Calling dynamites the idea of unique truth and proposes to the audience an intense theatrical-cinematic experience.

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Playing Earl Turner (Austria)
Jun
21
8:30 PM20:30

Playing Earl Turner (Austria)

THEATER ON FILM, REHEARSAL FOR TRUTH THEATER FESTIVAL

More than a decade ago, the right-wing extremist terrorist cell known as NSU came across the novel The Turner Diaries by American neo-Nazi William L. Pierce. This work served as a guide for other neo-Nazis world-wide. Playing Earl Turner combines documentary material with fictional literature and creates a disturbing scenario that fundamentally questions the common notion of lone perpetrators.

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Commander, and Effemera (Czechia)
Jun
19
9:00 PM21:00

Commander, and Effemera (Czechia)

DANCE ON FILM, REHEARSAL FOR TRUTH THEATER FESTIVAL

Filmed during early Covid in a vast, empty building, with 20 performers in permanent motion, Effemera is about fleeting moments. Commander is inspired by real online chats of the neo-Nazi group FKD, led by a thirteen-year-old boy operating under the nickname Commander.

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The Last Cyclist (Czechia/USA)
Jun
18
7:30 PM19:30

The Last Cyclist (Czechia/USA)

THEATER ON FILM, REHEARSAL FOR TRUTH THEATER FESTIVAL

Based on a dark comedy written in the Terezín Ghetto in 1944 by camp inmate Karel Svenk but banned on the night of its dress rehearsal for fear of SS reprisals. The play the actors are rehearsing in the film pits bike riders (Jews) against lunatics (Nazis), as did the absurdist original—a silly story with a deeply serious message.

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